With The Dead Don’t Die, auteur director Jim Jarmusch puts his unique, deadpan stamp on this staple of the horror genre. As one might expect, Jarmusch’s vision is more ironically cerebral than your typical zombie fare and a bit less viscerally horrifying—even when the aforementioned dead are chowing down on their victims’ viscera. It’s not a perfect film, but it’s got Tilda Swinton brandishing a katana with deadly accuracy against the undead. What’s not to love?
(Some spoilers below.)
Zombies might seem an odd choice of subject matter for this longtime darling of the Cannes Film Festival crowd. Jarmusch’s career took off in 1984 with his first major film, Stranger Than Paradise. Shot entirely in black-and-white (a signature of